The last lesson has been completed WOOT WOOT. 

This lesson is about a continuous path of stitching. In Japanese is it Hito Hude Gake which is translated to One Stroke of the Brush. In brush painting the brush is placed on the paper and not lifted until the entire design or calligraphy character is completed. In Temari, it means that one thread defines a design in a similar way.  IF this design were worked in one color, it would be one continuous thread - starting at the North pole a pattern stitched at the starting pole and then, without ending off, moved to the next section, etc until the opposite pole is reached and then the stitching direction is reversed and it worked back up and around until the starting point is reached! That's a long thread!

The temari to make for this lesson is on a C10 with Kiku's on each center. One color is used for stitching North to South and another color is used for stitching South to North.  Since learning to make the transition points from one center to another is tricky I decided that the "bonus round" would be worked first.  

For the pre-bonus round, I worked a similar pattern on a C8. This in the pictures with the green mari wrap and the orange and yellow threads. The stitched pattern is a double kiku which gives it a sunflower look. My mari was smaller than what was specified in the pattern instructions and my stitch spacing was too far apart in some areas; thus some of my points ended up not being even from pole center to center. 

The C10 temari was wound with a dark purple thread and then I used a lavender and bright green for the stitching. My transitions were better but I think the lavender gets washed out by the green. IF I do this again, I would wrap the mari in lavender and use a dark purple with the bright green for the stitching

The last temari I made for lesson 11 was a "Plum Blossom" on a C8. The lesson showed a Plum Blossom on a C10 but it was not required to do. Well, being the over achiever that I am I decided to try it and use my fancy Japanese threads - in pinks so it really looks like a plum blossom flower.  Note: Elisa of Scotland has a Victoria Plum tree in her back garden so I have seen pictures of those blossoms and so I was aiming for soft pinks transitioning to almost white.  

Since the Japanese thread is thinner than the Size 5 perle cotton I mostly use, I made the mari a bit smaller and used the thread doubled in the needle.  

This was certainly a challenge! The thread from Japan is a polyester, which gives it a wonderful shine but it loves to twist and knot so I was constantly de-tangling it. If I had taken a stitch and not realized the thread was twisted I had to pull the threads back out and straighten them so the two threads would lay flat, next to each other and also not bunch up where the stitch was made. I also uses A LOT of thread. I used for shades of pink but I used up 1+ cards of the white, there are 30 meters of thread on a card. 

When I was almost done I could see I should have spread my stitches out a bit more as there were gaps at the center points of the pentagons (where the pink triangular petals meet) so I did some extra fill at then end but still left a little gap at the very center since there really wasn't room along the sides to lay more threads. 

I am glad I did it but I should have done it once in the perle cotton to make it easier - Oh well, live and learn.

Lesson 11 YIPPEE, I am in the home stretch. 

But before we get to the pictures from this lesson, there is a picture of ALL the temari I have done so far, for the certification - the temari for the patterns I have to submit plus my bonus round and some where I did the temari multiple times because the first or second was wrong.   There are 40+ temari in the picture and that works out to be 1+ per week because we are in week 36 as of this post. Lesson 12 will have 1 maybe 2 more temari and then I can work on the submission document.